220084 Kopien, Reproduktionen und Fälschungen in der Kunst und Bildkultur (S) (WiSe 2015/2016)
Contents, comment
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Im Zentrum des modernen Kunstsystems stand lange Zeit das einzelne 'Werk', das im besten Fall die Eigenschaften des Unikats und des Originals vereinte. Tatsächlich aber treten Bilder oftmals in der Mehrzahl auf; sie erscheinen in zahlreichen Kopien vervielfältigt, in andere Bildtechniken übersetzt oder leicht verändert in Varianten. Während der Begriff des Originals suggeriert, dass sich das 'wahre' Kunstwerk sauber von seinen Reproduktionen und Derivaten abgrenzen lässt, zeigt sich bei genauerem Hinsehen, dass unsere Bildkultur von einer kaum zu überblickenden Vielfalt an Kopien, Repliken, Varianten, Nachbildungen, Fälschungen etc. geprägt ist. Das Seminar soll diesen Phänomenen epochenübergreifend in exemplarischen Studien nachgehen.
Teaching staff
Dates ( Calendar view )
| Frequency | Weekday | Time | Format / Place | Period |
|---|
Subject assignments
| Module | Course | Requirements | |
|---|---|---|---|
| 22-M-4.1 Theoriemodul | Interdisziplinäres Theorieseminar | Graded examination
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Student information |
The binding module descriptions contain further information, including specifications on the "types of assignments" students need to complete. In cases where a module description mentions more than one kind of assignment, the respective member of the teaching staff will decide which task(s) they assign the students.
| Degree programme/academic programme | Validity | Variant | Subdivision | Status | Semester | LP | |
|---|---|---|---|---|---|---|---|
| Geschichtswissenschaft (Gym/Ge) / Master of Education | (Enrollment until SoSe 2014) | Modul 4.7 | Wahlpflicht | 4 | scheinfähig Studierbar als Lektürekurs |
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- Friday, December 11, 2015
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- Friday, July 10, 2015
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- Friday, July 10, 2015
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- seminar (S) / 2
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- Faculty of History, Philosophy and Theology / Department of History
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