220056 Giovanni Bellini und Andrea Mantegna - die Renaissance in Venedig, Padua und Mantua (S) (WiSe 2017/2018)

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Am Beispiel von Giovanni Bellini und Andrea Mantegna soll das Seminar an Grundfragen der Kunst und Bildkultur der Renaissance heranführen. Bellini und Mantegna waren miteinander verwandt, arbeiteten aber in sehr unterschiedlichen sozialen und ästhetischen Kontexten: Bellini in der Stadtrepublik Venedig, Mantegna zunächst in Padua und später am Hof von Mantua. An beiden Malern lässt sich auf sehr verschiedene Weise beobachten, dass die Malerei der Renaissance keineswegs vorrangig dem Ziel diente, möglichst wirklichkeitsnahe bildliche Darstellungen zu schaffen. - Im Zentrum werden ausführliche Analysen exemplarischer Werke stehen.

Dem Seminar ist die Vorlesung "Malerei der italienischen Frührenaissance" (220059) zugeordnet. Beide Veranstaltungen sollten zusammen belegt und besucht werden.

Bibliography

  • Giorgio Vasari, Das Leben der Bellini und des Mantegna, übers. von Victoria Lorini, kommentiert und eingel. von Rebecca Müller, Berlin 2010.
  • Oskar Bätschmann, Giovanni Bellini. Meister der venezianischen Malerei, München 2008.
  • Günter Brucher, Geschichte der venezianischen Malerei, Bd. 2: Von Giovanni Bellini zu Vittore Carpaccio , Wien 2010.
  • Alberta de Nicolò Salmazo, Andrea Mantegna, Köln 2004.
  • Patricia Fortini Brown, Venetian Narrative Painting in the Age of Carpaccio, 2. Aufl. New Haven 1989.
  • Rona Goffen, Giovanni Bellini, New Haven 1989.
  • Johannes Grave, Landschaften der Meditation. Giovanni Bellinis Assoziationsräume, Freiburg i. Br. 2004.
  • Peter Humfrey, Painting in renaissance Venice, New Haven 1995.
  • Peter Humfrey (Hg.), The Cambridge companion to Giovanni Bellini, Cambridge 2004.
  • Peter Humfrey (Hg.), Venice and the Veneto, Cambridge 2007.
  • Mauro Lucco und Giovanni F. C. Villa (Hg.), Giovanni Bellini (Kat. Rom 2008/09), Mailand 2008.
  • Otto Pächt, Venezianische Malerei des 15. Jahrhunderts. Die Bellinis und Mantegna, hg. von Margareta Vyoral-Tschapka und Michael Pächt, München 2002.
  • Anchise Tempestini, Giovanni Bellini, München 1998.

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Module Course Requirements  
22-3.1 Hauptmodul Vormoderne
3.1.6 		Seminar Vormoderne Study requirement
Graded examination
Student information
22-3.8 Wahlfreies Hauptmodul
3.1.6 		Seminar Study requirement
Graded examination
Student information
22-BKG-HVM Hauptmodul Bild- und Kunstgeschichte der Vormoderne
BKG-HVM-1 		Seminar zur Bild- und Kunstgeschichte der Vormoderne Study requirement
Graded examination
Student information

The binding module descriptions contain further information, including specifications on the "types of assignments" students need to complete. In cases where a module description mentions more than one kind of assignment, the respective member of the teaching staff will decide which task(s) they assign the students.

Degree programme/academic programme Validity Variant Subdivision Status Semester LP  
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seminar (S) / 2
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